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Black And Gold by Thomas Dewing

plate no. 7717

Black And Gold

Thomas Dewing, 1917

oilTonalismportraitfigureportraitdressinteriortablebowl
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering fabric textures with limited color variations. It also provides practice in capturing subtle light and shadow on a figure.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure and furniture.

  2. step 02

    Establish the overall warm, muted background tone with a thin wash of color.

  3. step 03

    Block in the main shapes of the figure and dress, paying attention to the folds and drapery.

  4. step 04

    Begin to build up the values in the dress, using darker tones for shadows and lighter tones for highlights.

  5. step 05

    Refine the details of the face and hands, using soft blending techniques.

  6. step 06

    Add the details of the furniture, ensuring they recede into the background.

  7. step 07

    Create subtle variations in the background to add depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · yellow ochre · raw umber · ivory black

secondary · burnt sienna · titanium white

Achieve the muted tones by mixing yellow ochre, raw umber, and ivory black in varying proportions. Use burnt sienna to add warmth and titanium white to create highlights.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·soft blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and recession.
  • →Not paying enough attention to the subtle variations in value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth surface to facilitate blending. Consider using a toned canvas to establish the overall warm tone.

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oil painting for beginners →how to learn by studying the masters →
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