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home·artworks·Bistrița Valley
Bistrița Valley by Dumitru Ghiatza

plate no. 8735

Bistrița Valley

Dumitru Ghiatza, 1965

oilPost-Impressionismlandscapelandscapemountainstreeshouseskyhills
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating depth through atmospheric perspective. It also provides practice in capturing texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, hills, house, and trees, paying attention to the overall composition.

  2. step 02

    Block in the sky with light blues, purples, and grays, using loose, blended brushstrokes.

  3. step 03

    Establish the distant mountains with muted blues and greens, creating a sense of depth.

  4. step 04

    Paint the mid-ground hills with a mix of greens, browns, and ochres, varying the colors to suggest form.

  5. step 05

    Add the house with its red roof and light walls, keeping it simple and slightly abstracted.

  6. step 06

    Paint the foreground trees with warm browns, oranges, and reds, using thicker paint and more visible brushstrokes.

  7. step 07

    Add details to the foreground, such as the path and any small bushes or foliage.

  8. step 08

    Refine the colors and values throughout the painting, adjusting the overall balance and harmony.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre · titanium white

secondary · cadmium red · viridian green · purple

Mix greens by combining blue and yellow, and create various browns by mixing burnt sienna with blue and yellow. Mute colors by adding a touch of complementary color.

techniques

  • ·broken color
  • ·impasto
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating too much detail in the distant areas, flattening the sense of depth.
  • →Using colors that are too saturated, resulting in a garish effect.
  • →Not varying the brushstrokes enough, leading to a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ultramarine blue, burnt sienna, yellow ochre, titanium white, cadmium red, viridian green)
  • ·#6 flat brush
  • ·#4 round brush
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider pre-toning the canvas with a neutral color to create a more unified base.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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