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home·artworks·Birmingham Meeting House IV
Birmingham Meeting House IV by Horace Pippin

plate no. 3404

Birmingham Meeting House IV

Horace Pippin, 1942

oilNaïve Art (Primitivism)landscapebuildingtreesnightlandscapefence
some experience helpful

Recreating this painting will help students understand value relationships and how to create depth using contrasting light and dark areas. It will also develop skills in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, trees, and fence, focusing on proportions and placement.

  2. step 02

    Block in the large areas of dark and light values using thinned paint.

  3. step 03

    Refine the shapes of the building and trees, adding details like windows and branches.

  4. step 04

    Develop the sky with subtle variations of blue and grey.

  5. step 05

    Add highlights to the windows and other light areas to create contrast.

  6. step 06

    Define the fence and foreground details.

  7. step 07

    Check the overall balance of values and make adjustments as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix ultramarine blue and raw umber for the dark areas. Use white to create lighter tones and yellow ochre to add warmth to the highlights.

techniques

  • ·blocking in
  • ·value studies
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overcomplicating the details of the trees.
  • →Not establishing a strong value contrast.
  • →Making the colors too bright or saturated.
  • →Losing the overall composition by focusing on small details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base value.

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