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home·artworks·Belgrave Square and Wilton Crescent
Belgrave Square and Wilton Crescent by Harry Phelan Gibb

plate no. 1316

Belgrave Square and Wilton Crescent

Harry Phelan Gibb, 1928

oilPost-Impressionismcityscapecityscapebuildingsstreettreescarsfence
some experience helpful

Recreating this painting will help students develop skills in tonal value painting and capturing architectural forms with loose, expressive brushstrokes. It also provides practice in creating depth and perspective using varying levels of detail.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and street, focusing on perspective lines.

  2. step 02

    Establish the darkest areas of the painting with a diluted wash of the darker brown.

  3. step 03

    Add mid-tones to the buildings and street, gradually building up the values.

  4. step 04

    Use thicker, more concentrated paint for the details of the buildings, trees, and cars.

  5. step 05

    Create texture in the buildings by using dry brush strokes.

  6. step 06

    Add the fence in the foreground with bold, dark strokes.

  7. step 07

    Soften some edges with a clean, damp brush to create atmospheric perspective.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · sepia · raw umber · titanium white

secondary · ivory black

Achieve the various shades by diluting the brown with water or mixing with white. Use black sparingly for the darkest accents.

techniques

  • ·value painting
  • ·dry brushing
  • ·atmospheric perspective
  • ·wash technique
  • ·linear perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Creating too much contrast too early in the process.
  • →Ignoring the perspective lines and distorting the buildings.
  • →Using too much black, which can make the painting look muddy.

materials

surface · watercolor paper 140lb or stretched canvas

required

  • ·sepia watercolor or oil paint
  • ·raw umber watercolor or oil paint
  • ·titanium white watercolor or oil paint
  • ·watercolor paper or canvas
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette

optional

  • ·palette knife
  • ·ruler
  • ·masking tape

Using toned paper or canvas can help establish the mid-tone base for the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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