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home·artworks·Bela I (c.1015 - 1063), King on Hungary from 1060 to 1063
Bela I (c.1015 - 1063), King on Hungary from 1060 to 1063 by Josef Kriehuber

plate no. 5179

Bela I (c.1015 - 1063), King on Hungary from 1060 to 1063

Josef Kriehuber, 1828

lithographyBiedermeierportraitportraitkingrobecrownorbfigure
some experience helpful

Recreating this painting will help students develop skills in rendering fabric folds and creating realistic skin tones. It also provides practice in depicting metallic textures and subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, throne, and orb.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the base colors for the robe, skin, and background.

  4. step 04

    Gradually build up the values in the robe, focusing on the folds and drapery.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add details to the crown and orb, paying attention to the highlights and reflections.

  7. step 07

    Render the throne and floor, adding subtle variations in color and texture.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and realistic image.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cerulean blue · cadmium yellow · ivory black

Mix yellow ochre and burnt umber in varying proportions to create the different shades of the robe. Use white to lighten the skin tones and add highlights. Mix blue and white for the background and shadows on the throne.

techniques

  • ·value shading
  • ·blending
  • ·hatching
  • ·rendering fabric
  • ·metallic rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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