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home·artworks·Before the Mirror
Before the Mirror by Thomas Dewing

plate no. 6519

Before the Mirror

Thomas Dewing, 1910

oilTonalismgenre paintingfiguremirrordressinteriorreflectionpainting
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle light variations. It also offers practice in rendering fabric and reflections.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, mirror, and other elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, paying attention to the subtle shifts in hue and value.

  4. step 04

    Begin to develop the form of the figure, focusing on the drapery and the way light interacts with the fabric.

  5. step 05

    Work on the details of the mirror and the reflection, capturing the atmospheric perspective.

  6. step 06

    Refine the background and the other elements of the composition, ensuring they support the focal point.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Review and adjust the overall painting, paying attention to the balance of color, value, and composition.

color palette

primary · titanium white · raw umber · ivory black

secondary · ultramarine blue · yellow ochre · burnt sienna

Achieve the subtle color variations by mixing small amounts of the secondary colors into the primary colors. Use white to create lighter values and black to create darker values. The overall tone is warm and muted.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·soft blending
  • ·limited palette

common pitfalls

  • →Overworking the details too early
  • →Failing to capture the subtle value shifts
  • →Creating harsh lines or edges
  • →Ignoring the atmospheric perspective
  • →Using too much color

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface to facilitate blending. Consider using a toned canvas to establish the overall value structure.

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