apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bedroom Window, Bankshead
Bedroom Window, Bankshead by Winifred Nicholson

plate no. 5903

Bedroom Window, Bankshead

Winifred Nicholson

oilPost-Impressionismstill lifeflowerslandscapetablewindowstill lifehills
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the impressionistic feel of light and shadow. It also provides practice in simplifying complex landscapes into basic shapes and color blocks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes: table, window, landscape, and flowers.

  2. step 02

    Establish the overall color scheme with a thin wash of warm yellows and browns.

  3. step 03

    Block in the main areas of the landscape: sky, hills, and fields, using simplified color variations.

  4. step 04

    Add the window frame and the table, paying attention to the light and shadow.

  5. step 05

    Paint the flowers in the vase, focusing on capturing their delicate shapes and colors.

  6. step 06

    Refine the details and add texture with visible brushstrokes.

  7. step 07

    Add the paint bottles and brushes in the foreground.

  8. step 08

    Adjust the overall composition and values to create a harmonious balance.

color palette

primary · yellow ochre · titanium white · raw umber

secondary · sap green · cadmium yellow · alizarin crimson

Mix various shades of yellow ochre with white and raw umber to create the warm tones of the landscape and the table. Use sap green and yellow ochre for the fields. Mix alizarin crimson with white for the pink flowers.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·wet-on-dry
  • ·Impasto

common pitfalls

  • →Overworking the details
  • →Using too many colors
  • →Ignoring the overall color harmony
  • →Creating muddy colors by over-mixing
  • →Not simplifying the landscape enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·sap green oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov