apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bed time
Bed time by Grace Cossington Smith

plate no. 0709

Bed time

Grace Cossington Smith, 1922

oilPost-Impressionisminteriorinteriorbedroombedchairtablewindow
some experience helpful

This painting is great for practicing color temperature and capturing the feeling of light in a room. Recreating it will help students develop skills in simplifying complex scenes and using brushstrokes to define form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: bed, chair, table, and window.

  2. step 02

    Block in the large areas of color, focusing on the overall value and temperature.

  3. step 03

    Establish the light source and paint the shadows, paying attention to their shapes and edges.

  4. step 04

    Add details to the bedclothes, chair, and table, using short, visible brushstrokes.

  5. step 05

    Refine the colors and values, adjusting them to create a sense of depth and atmosphere.

  6. step 06

    Add the small details like the lamp and mirror.

  7. step 07

    Step back and assess the painting, making any necessary adjustments.

  8. step 08

    Add final highlights and shadows.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · violet

Mix various shades of browns and pinks by combining yellow ochre, burnt umber, and white. Use small amounts of red and blue to create the violet shadows and accent colors.

techniques

  • ·broken color
  • ·impasto
  • ·color temperature
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Not paying attention to the color temperature of the light and shadows.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

A square canvas around 12x12 to 16x16 inches would be suitable.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov