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home·artworks·Beauty Under a Cherry
Beauty Under a Cherry by Fujishima Takeji

plate no. 3679

Beauty Under a Cherry

Fujishima Takeji

oilPost-Impressionismportraitportraitkimonofiguretreesgardenfan
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and rendering fabric with subtle details. It also provides practice in creating atmospheric perspective and a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figure and background elements.

  2. step 02

    Establish the main color blocks for the skin, kimono, background, and other key areas.

  3. step 03

    Begin layering in the mid-tones and shadows, paying attention to the light source and how it affects the forms.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth, using subtle color variations to create depth.

  5. step 05

    Add the patterns and details on the kimono, using a smaller brush and careful observation.

  6. step 06

    Develop the background, using soft brushstrokes and muted colors to create a sense of distance.

  7. step 07

    Add highlights and final touches to enhance the overall realism and vibrancy of the painting.

  8. step 08

    Glaze if needed to unify colors and add depth.

color palette

primary · raw sienna · titanium white · alizarin crimson · yellow ochre

secondary · ultramarine blue · viridian · cadmium yellow light

Achieve the skin tones by mixing raw sienna, alizarin crimson, and titanium white, adjusting the proportions to create variations in warmth and coolness. Use ultramarine blue and viridian to create the cool tones in the shadows and background.

techniques

  • ·color mixing
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or intense.
  • →Failing to create a sense of depth and atmosphere.
  • →Incorrect proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 flat brush
  • ·linseed oil

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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