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Bay of Naples by Albert Marquet

plate no. 7138

Bay of Naples

Albert Marquet, 1908

oilPost-Impressionismmarinaboatswatermountainsskybuildingsharbor
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve atmospheric perspective and simplifying complex scenes into basic shapes. It also provides practice in capturing reflections and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the mountain, the harbor buildings, and the arrangement of boats.

  2. step 02

    Block in the sky and water with diluted washes of blue, green, and gray, establishing the overall tone.

  3. step 03

    Paint the distant mountain with a light, muted blue-gray, focusing on its basic form.

  4. step 04

    Add the harbor buildings using darker grays and browns, paying attention to their simple geometric shapes.

  5. step 05

    Paint the boats in the foreground, using a mix of browns, whites, and blues. Capture the reflections in the water.

  6. step 06

    Add details to the boats and buildings, refining their shapes and adding subtle color variations.

  7. step 07

    Create the reflections using vertical strokes of slightly darker and more saturated colors than the objects themselves.

  8. step 08

    Review and adjust the values and colors to create a cohesive and atmospheric painting.

color palette

primary · Prussian blue · Titanium white · Yellow ochre

secondary · Burnt umber · Cadmium yellow light · Payne's gray

Achieve the muted tones by mixing complementary colors and adding white. Use blues and greens with white for the sky and water, and mix browns and yellows for the boats.

techniques

  • ·Blocking in
  • ·Wet-on-wet blending
  • ·Simplified shapes
  • ·Atmospheric perspective
  • ·Capturing reflections

common pitfalls

  • →Overworking details
  • →Using colors that are too bright
  • →Failing to establish a clear value structure
  • →Ignoring the atmospheric perspective

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·#6 flat brush
  • ·#2 round brush
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits (if using oils)
  • ·Linseed oil (if using oils)

optional

  • ·Medium gloss
  • ·Easel
  • ·Rags

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a middle value.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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