apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bateaux À Novgorod
Bateaux À Novgorod by Konstantin Gorbatov

plate no. 6756

Bateaux À Novgorod

Konstantin Gorbatov, 1920

oil, canvasPost-Impressionismmarinaboatswaterbuildingsskycloudsfigures
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and creating depth through atmospheric perspective. It also provides practice in rendering architectural forms with simplified shapes and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boats, buildings, and horizon line.

  2. step 02

    Block in the large areas of color for the sky, water, and land, using thin washes.

  3. step 03

    Establish the basic shapes and values of the buildings and boats.

  4. step 04

    Begin adding details to the buildings, focusing on the light and shadow patterns.

  5. step 05

    Develop the reflections in the water, using broken brushstrokes and varying values.

  6. step 06

    Add details to the boats, including the sails, masts, and hulls.

  7. step 07

    Refine the sky and clouds, paying attention to the subtle color variations.

  8. step 08

    Add final details and highlights to create a sense of depth and realism.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt sienna

secondary · viridian green · cadmium yellow · alizarin crimson

Mix various shades of blue and green for the water, using white to lighten the values. Create the building colors by mixing white with small amounts of yellow ochre, burnt sienna, and alizarin crimson.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to create a convincing sense of depth in the water.
  • →Making the colors too saturated and unnatural.
  • →Ignoring the subtle color variations in the sky and clouds.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, titanium white, burnt sienna, viridian green, cadmium yellow, alizarin crimson)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish

Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov