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home·artworks·Bassano
Bassano by Roger Fry

plate no. 1514

Bassano

Roger Fry

oilPost-Impressionismcityscapebuildingscityscapefiguresarchitectureplazastreet
some experience helpful

Recreating this painting will help students develop skills in loose watercolor washes and capturing architectural details with simplified forms. It also encourages observation of light and shadow on buildings.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the buildings and figures, focusing on perspective.

  2. step 02

    Apply a light wash of diluted yellow ochre or raw sienna to the entire paper as a base tone.

  3. step 03

    Begin with the sky, using a very diluted blue or gray wash, allowing it to blend softly.

  4. step 04

    Paint the buildings with loose washes of color, layering different hues to create depth and shadow.

  5. step 05

    Add darker values to indicate shadows and architectural details, such as windows and doorways.

  6. step 06

    Use a fine brush to add details like window frames and balcony railings.

  7. step 07

    Paint the figures with simple shapes and colors, focusing on their silhouettes.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · yellow ochre · raw sienna · burnt umber

secondary · ultramarine blue · alizarin crimson · violet

Mixes of yellow ochre and burnt umber create the warm tones of the buildings. Violet is achieved by mixing alizarin crimson and ultramarine blue.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·linear perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors straight from the tube without mixing, resulting in a flat appearance.
  • →Not allowing washes to dry completely before layering, leading to muddy colors.
  • →Ignoring perspective, making the buildings appear distorted.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Masking tape

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser

Use a good quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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