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Basilica by Maurice Utrillo

plate no. 3247

Basilica

Maurice Utrillo

oilPost-Impressionismcityscapebuildingstreetfigureswalltreessky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and capturing light and shadow with expressive brushstrokes. It's a good exercise in understanding perspective and creating depth using color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, walls, and street, focusing on perspective.

  2. step 02

    Block in the sky with a light blue wash, leaving some areas for clouds.

  3. step 03

    Establish the main colors of the building, using a mix of white, gray, and subtle yellows.

  4. step 04

    Paint the walls with varied grays, using vertical brushstrokes to suggest texture.

  5. step 05

    Add the trees with loose, gestural brushstrokes, using greens and yellows.

  6. step 06

    Paint the figures with simple shapes and colors, focusing on their placement within the scene.

  7. step 07

    Add details such as windows, roof tiles, and shadows to create depth and interest.

  8. step 08

    Refine the painting by adjusting colors, values, and brushstrokes to match the original.

color palette

primary · titanium white · gray · yellow ochre · ultramarine blue

secondary · burnt sienna · sap green · cadmium red

Mix various shades of gray by combining white with small amounts of blue, yellow ochre, and burnt sienna. Use yellow ochre and white to create the warm tones of the building. Mix greens by blending blue and yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·one point perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated and not capturing the muted tones of the original.
  • →Making the brushstrokes too uniform and not varying the direction and pressure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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