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home·artworks·Barong dancer
Barong dancer by Romualdo Locatelli

plate no. 7839

Barong dancer

Romualdo Locatelli, 1939

oil, canvasOrientalismgenre paintingfiguredancergoldornateperformancetraditional clothing
experienced study

Recreating this painting will help students develop skills in capturing movement with loose brushwork and mixing realistic skin tones with warm and cool shadows. It also provides practice in rendering complex textures and patterns with simplified shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure pose and proportions lightly on the canvas.

  2. step 02

    Block in the large shapes of the background with thin washes of color.

  3. step 03

    Establish the main areas of light and shadow on the figure.

  4. step 04

    Begin building up the colors and details of the clothing and headdress, focusing on the gold tones.

  5. step 05

    Refine the facial features, paying attention to the subtle variations in skin tone.

  6. step 06

    Add details to the background, suggesting depth and atmosphere.

  7. step 07

    Use thicker paint and bolder brushstrokes to emphasize key areas of the painting.

  8. step 08

    Add final highlights and shadows to create a sense of depth and dimension.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium yellow · viridian green · alizarin crimson

Achieve the gold tones by mixing cadmium yellow with burnt umber and a touch of white. Create skin tones by mixing burnt umber, alizarin crimson, and yellow ochre, adjusting the ratios for highlights and shadows.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushwork.
  • →Failing to establish a strong value structure before adding color.
  • →Getting the proportions of the figure wrong.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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