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home·artworks·Balchik Hills
Balchik Hills by Micaela Eleutheriade

plate no. 6934

Balchik Hills

Micaela Eleutheriade

oilPost-Impressionismcityscapebuildingshillsskytreesfigurevillage
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using color temperature to create depth. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and hills, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with a thin layer of light blue, allowing some of the canvas to show through.

  3. step 03

    Establish the main color masses for the hills using ochre, burnt sienna, and white, varying the mixtures to create subtle tonal shifts.

  4. step 04

    Paint the larger building in the foreground with a base of yellow ochre, adding shadows with burnt umber and highlights with white.

  5. step 05

    Add the roofs using a mix of red, burnt sienna, and a touch of black, varying the colors to suggest texture.

  6. step 06

    Paint the smaller buildings in the background with simplified shapes and colors, using cooler tones to push them back in space.

  7. step 07

    Add the trees and foliage with a mix of greens, browns, and blacks, using short, broken brushstrokes to create texture.

  8. step 08

    Add the figure and final details, such as windows and doors, using a small brush.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red · raw umber

Mix yellow ochre and burnt sienna for the warm earth tones. Add white to lighten and cool the colors. Use ultramarine blue and white for the sky. Mix cadmium red and burnt sienna for the roof tiles.

techniques

  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·simplification of form
  • ·visible brushstrokes

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Making the colors too uniform and lacking variation.
  • →Not establishing a clear sense of depth and perspective.
  • →Failing to simplify the complex shapes of the buildings and foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes sizes 2, 4, and 6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to enhance the brushstroke effect. Thin the oil paints with linseed oil for better flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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