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home·artworks·Balbo lying on the lawn
Balbo lying on the lawn by Adolf Dietrich

plate no. 1816

Balbo lying on the lawn

Adolf Dietrich, 1955

oilNaïve Art (Primitivism)animal paintingdoglandscapegrassflowerslakesky
some experience helpful

Recreating this painting will help students develop skills in rendering animal anatomy and creating a sense of depth through subtle color variations in the landscape. It also provides practice in painting fur texture and floral details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the dog and the landscape, paying attention to proportions and composition.

  2. step 02

    Block in the main colors of the background: sky, lake, and grass, using thin washes.

  3. step 03

    Establish the dark areas of the dog's fur with a dark brown or black mixture.

  4. step 04

    Begin adding highlights and shadows to the dog's fur to create volume and texture.

  5. step 05

    Paint the details of the dog's face, including the eyes, nose, and mouth.

  6. step 06

    Add the details of the grass and flowers in the foreground, using small brushstrokes.

  7. step 07

    Refine the details of the landscape, adding trees, buildings, and other elements.

  8. step 08

    Add final highlights and shadows to the entire painting to create a sense of depth and realism.

color palette

primary · black · white · yellow ochre · burnt umber

secondary · raw sienna · ultramarine blue · cadmium yellow

Mix various shades of brown and black for the dog's fur. Use white to lighten the colors for highlights. Mix blue and white for the sky and lake. Use yellow ochre and cadmium yellow for the grass and flowers.

techniques

  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the dog wrong.
  • →Making the colors too saturated.
  • →Overworking the details.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use good quality paints and brushes for best results. A medium can help with blending and glazing. Varnish protects the finished painting.

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