apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Baigneuses
Baigneuses by Camille Bombois

plate no. 6968

Baigneuses

Camille Bombois, 1929

oilNaïve Art (Primitivism)genre paintingfigureswater lilieslaketreesdocklandscape
some experience helpful

Recreating this painting will help students practice layering colors to create depth and texture, as well as simplifying complex forms into basic shapes. It also provides an opportunity to work with a limited color palette and explore a naive art style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, dock, figures, and the overall layout of the water lilies.

  2. step 02

    Block in the large areas of color: the sky, trees, water, and dock, using thin washes.

  3. step 03

    Add the darker tones to the water and the shadows under the dock to create depth.

  4. step 04

    Begin painting the water lilies, focusing on their shapes and distribution across the water surface.

  5. step 05

    Paint the figures, simplifying their forms and focusing on their placement within the scene.

  6. step 06

    Add details to the background, such as the trees, wall, and gate, using small brushstrokes.

  7. step 07

    Refine the colors and values throughout the painting, adjusting the tones to create a sense of harmony.

  8. step 08

    Add final details, such as highlights on the water lilies and figures, to bring the painting to life.

color palette

primary · dark green · yellow ochre · flesh tone · dark blue

secondary · light green · red · brown

Mix greens by combining blues and yellows with varying amounts of white. Achieve flesh tones by mixing reds, yellows, and whites, adjusting the proportions to create different skin tones.

techniques

  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·simplification of form
  • ·color mixing

common pitfalls

  • →Overcomplicating the details, losing the naive style.
  • →Not establishing a strong value structure, resulting in a flat image.
  • →Using colors straight from the tube without mixing, leading to a lack of harmony.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic paints (dark green, yellow ochre, flesh tone, dark blue, light green, red, brown, white)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Water container
  • ·Paper towels

optional

  • ·Retarder medium
  • ·Easel
  • ·Apron

Use good quality acrylic paints for better color saturation and longevity. A palette knife can be helpful for mixing colors and applying thick layers of paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden