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Backstage by Carl Spitzweg

plate no. 4499

Backstage

Carl Spitzweg, 1860

oil, canvasBiedermeiergenre paintingfiguresbackstageinteriordancersdressing roommirror
some experience helpful

Recreating this painting will help students practice capturing figures in motion and creating a sense of depth using atmospheric perspective and limited color palette. It also provides an opportunity to explore loose brushwork and suggestive detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thinned washes of burnt umber and raw sienna.

  3. step 03

    Establish the light source and begin to build up the highlights on the figures and in the background.

  4. step 04

    Develop the details of the figures, focusing on capturing their gestures and expressions.

  5. step 05

    Use loose brushstrokes to suggest the textures of the costumes and the environment.

  6. step 06

    Refine the values and colors, paying attention to the atmospheric perspective.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Glaze with thin washes of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black

Achieve the muted tones by mixing burnt umber and raw sienna with varying amounts of white. Use small amounts of black to darken shadows and create depth.

techniques

  • ·underpainting
  • ·glazing
  • ·atmospheric perspective
  • ·loose brushwork
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the atmospheric perspective and creating a flat, unrealistic image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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