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Back Room by John French Sloan

plate no. 5649

Back Room

John French Sloan, 1912

oil, canvasNew Realismgenre paintinginteriorfiguresfireplacetablewindowportraits
some experience helpful

Recreating this painting will help students understand the use of a limited palette to create mood and atmosphere, and how to suggest detail in areas of low light. Students will also learn how to create a sense of depth using value and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, table, window, and fireplace.

  2. step 02

    Establish the overall dark value of the background and the lighter values of the window and foreground.

  3. step 03

    Block in the main shapes of the figures with dark blues and browns, paying attention to the light source from the window.

  4. step 04

    Add the warm glow of the fireplace using reds, oranges, and yellows, blending them softly into the surrounding dark areas.

  5. step 05

    Refine the details of the figures, adding highlights and shadows to create form.

  6. step 06

    Paint the details of the objects on the walls, using subtle variations in color and value.

  7. step 07

    Add the final details, such as the reflections in the window and the texture of the walls.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the mood.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre

Mix dark blues and browns for the background and figures. Use white to create highlights and lighter values. Mix reds and yellows for the fireplace glow.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the dark areas, losing the sense of mystery.
  • →Making the colors too bright and saturated, disrupting the overall mood.
  • →Failing to establish a strong value contrast between the light and dark areas.
  • →Not blending the colors smoothly enough, creating a choppy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish the overall dark value of the painting.

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