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home·artworks·Avenue of plane trees
Avenue of plane trees by Santiago Rusinol

plate no. 4400

Avenue of plane trees

Santiago Rusinol, 1916

oilPost-Impressionismlandscapetreesforestleavespathautumnlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and realism in a landscape. It also provides practice in rendering tree bark texture and the subtle color variations of autumn leaves.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and size of the trees and the path.

  2. step 02

    Establish the background colors, including the sky and the distant trees, using thin washes.

  3. step 03

    Block in the main tree trunks with a base color, paying attention to their varying widths and angles.

  4. step 04

    Add details to the tree trunks, including highlights, shadows, and texture, using dry brush techniques.

  5. step 05

    Paint the leaves on the ground, varying the colors and values to create a sense of depth and texture.

  6. step 06

    Add the darker foliage on the sides, using short, broken brushstrokes.

  7. step 07

    Refine the details and adjust the values to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · gray · burnt sienna · yellow ochre

secondary · ultramarine blue · sap green · raw umber

Mix grays by combining white with small amounts of burnt umber, ultramarine blue, and yellow ochre. Achieve the autumn leaf colors by blending burnt sienna with yellow ochre and touches of red or brown.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·broken color

common pitfalls

  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the tree trunks too uniform in color and texture.
  • →Overworking the details and losing the overall impression.
  • →Not varying the colors of the leaves enough, resulting in a flat, uninteresting ground plane.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (gray, burnt sienna, yellow ochre, ultramarine blue, sap green, raw umber, titanium white)
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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