apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Autumn Pond
Autumn Pond by David Burliuk

plate no. 8996

Autumn Pond

David Burliuk

oil, canvasPost-Impressionismlandscapetreeswaterskyautumnlandscapepond
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing reflections in water. It also provides practice in depicting foliage and tree structures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the trees, pond, and horizon line.

  2. step 02

    Block in the sky with light blue and white, using horizontal strokes.

  3. step 03

    Establish the main color masses for the trees and foliage, focusing on warm autumn tones.

  4. step 04

    Paint the water, reflecting the colors of the sky and surrounding trees, using horizontal strokes and broken color.

  5. step 05

    Add details to the trees, including branches and individual leaves, using a smaller brush.

  6. step 06

    Develop the foreground with grasses and foliage, using varied greens, yellows, and browns.

  7. step 07

    Refine the reflections in the water, adding subtle variations in color and value.

  8. step 08

    Add final highlights and details to create depth and texture.

color palette

primary · ultramarine blue · cadmium red · cadmium yellow · titanium white

secondary · burnt sienna · raw umber · viridian green

Mix greens by combining blue and yellow, and create various browns and earth tones by mixing red, yellow, and blue with burnt sienna or raw umber. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·layering

common pitfalls

  • →Overblending colors, resulting in a muddy appearance.
  • →Neglecting to vary brushstrokes, leading to a flat and lifeless painting.
  • →Ignoring the reflections in the water, making it appear unrealistic.
  • →Using too much detail too early, before establishing the overall color masses.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a painting medium to improve the flow and blending of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov