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home·artworks·Attica Landscape
Attica Landscape by Konstantinos Maleas

plate no. 3379

Attica Landscape

Konstantinos Maleas, 1920

oilPost-Impressionismlandscapelandscapehillstreesroadskyfields
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex landscapes into basic shapes and forms. Students will also learn how to use brushstrokes to suggest form and movement.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line, the shape of the hill, and the placement of the trees and road.

  2. step 02

    Block in the sky with a thin wash of light blue, allowing some of the canvas to show through.

  3. step 03

    Establish the basic color masses for the hill, fields, and road, using a limited palette of greens, yellows, and browns.

  4. step 04

    Begin layering colors to create depth and variation within each area, paying attention to the subtle shifts in value and hue.

  5. step 05

    Add details to the trees, using short, broken brushstrokes to suggest foliage.

  6. step 06

    Refine the road, adding highlights and shadows to create a sense of form and perspective.

  7. step 07

    Add details to the foreground, using thicker paint and more visible brushstrokes to create texture.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · yellow ochre · ultramarine blue · raw umber · titanium white

secondary · viridian green · cadmium yellow light

Mix greens by combining yellow ochre and ultramarine blue. Use white to lighten values and create subtle variations in color. Raw umber can be used to create shadows and add depth.

techniques

  • ·dry brush
  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a cluttered composition.
  • →Failing to establish a clear focal point.
  • →Not paying attention to the subtle shifts in value and hue.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·selection of brushes (round and flat)
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·palette cup

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing a warm undertone.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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