
plate no. 7161
William H. Johnson, 1940
This painting offers practice in simplifying complex forms and using bold brushstrokes to create texture and definition. Students can learn to mix skin tones and create a sense of depth with limited color variations.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and chair, focusing on the overall composition.
Block in the background colors: the green and the tan.
Establish the main skin tone using a base color, then add highlights and shadows with darker and lighter shades.
Paint the white tank top, noting the subtle shadows and highlights to give it form.
Block in the yellow for the chair and begin adding the darker lines to define its structure.
Paint the plaid pattern of the clothing, paying attention to the perspective and how the lines converge.
Add details to the face, including the eyes, nose, and mouth, using small brushstrokes.
Refine the edges and add any final details to complete the painting.
color palette
primary · burnt umber · yellow ochre · titanium white · viridian green
secondary · black · raw sienna · ultramarine blue
Mix skin tones by combining burnt umber, yellow ochre, and titanium white. Use viridian green and yellow ochre for the background. Darken colors with burnt umber or black, and lighten with titanium white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to enhance the texture of the brushstrokes. Acrylics will dry faster, while oils allow for more blending time.
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