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Athlete by William H. Johnson

plate no. 7161

Athlete

William H. Johnson, 1940

oilNaïve Art (Primitivism)portraitfigureportraitchairclothinginteriorperson
some experience helpful

This painting offers practice in simplifying complex forms and using bold brushstrokes to create texture and definition. Students can learn to mix skin tones and create a sense of depth with limited color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair, focusing on the overall composition.

  2. step 02

    Block in the background colors: the green and the tan.

  3. step 03

    Establish the main skin tone using a base color, then add highlights and shadows with darker and lighter shades.

  4. step 04

    Paint the white tank top, noting the subtle shadows and highlights to give it form.

  5. step 05

    Block in the yellow for the chair and begin adding the darker lines to define its structure.

  6. step 06

    Paint the plaid pattern of the clothing, paying attention to the perspective and how the lines converge.

  7. step 07

    Add details to the face, including the eyes, nose, and mouth, using small brushstrokes.

  8. step 08

    Refine the edges and add any final details to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · viridian green

secondary · black · raw sienna · ultramarine blue

Mix skin tones by combining burnt umber, yellow ochre, and titanium white. Use viridian green and yellow ochre for the background. Darken colors with burnt umber or black, and lighten with titanium white.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·color mixing
  • ·simplified form rendering
  • ·impasto

common pitfalls

  • →Over-blending the colors, losing the bold brushstrokes.
  • →Getting the proportions of the figure wrong.
  • →Making the plaid pattern too uniform and flat.
  • →Not creating enough contrast in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting varnish
  • ·rags

Use a medium-grain canvas to enhance the texture of the brushstrokes. Acrylics will dry faster, while oils allow for more blending time.

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