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Ataturk by Nuri Iyem

plate no. 2994

Ataturk

Nuri Iyem, 1999

oil, fiberboardSocial Realismportraitportraitfacemaneyesfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle variations in skin tone and using brushstrokes to define form. It also provides practice in achieving a likeness through careful observation and color mixing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and placement of the facial features.

  2. step 02

    Block in the background with a thin wash of yellow ochre.

  3. step 03

    Establish the main areas of light and shadow on the face using a limited palette of browns, whites, and blues.

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to subtle shifts in hue and value.

  5. step 05

    Define the eyes, nose, and mouth with more detail, using smaller brushes.

  6. step 06

    Add highlights to the eyes, nose, and forehead to create a sense of depth.

  7. step 07

    Refine the edges and contours of the face, softening or sharpening them as needed.

  8. step 08

    Add final details and adjust colors as necessary to achieve a likeness.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red light · raw sienna

Mix various shades of skin tone by combining white, yellow ochre, burnt umber, and a touch of blue or red. Use ultramarine blue and burnt umber to create grays for shadows.

techniques

  • ·dry brush texture
  • ·color blending
  • ·layering
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Focusing too much on detail too early in the process.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the subtle shifts in value and hue that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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