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home·artworks·At the Garage
At the Garage by Jeffrey Smart

plate no. 9941

At the Garage

Jeffrey Smart, 1959

oilContemporary Realismgenre paintingfigureshadowwalltireboxbuilding
some experience helpful

Recreating this painting will help students understand how to depict light and shadow on different surfaces and how to create a sense of depth with a limited color palette. It also provides practice in rendering a human figure with simple shapes and textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the figure, shadow, tire, and box.

  2. step 02

    Block in the large areas of color: the wall, the ground, the sky, and the figure's suit.

  3. step 03

    Add the shadow of the figure, blending the edges to create a soft transition.

  4. step 04

    Develop the texture of the wall with short, broken brushstrokes, using a variety of light and warm tones.

  5. step 05

    Refine the details of the figure, including the face, bow tie, and shoes.

  6. step 06

    Paint the tire and box, paying attention to the highlights and shadows.

  7. step 07

    Add the architectural details in the background.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and balanced painting.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · cerulean blue · yellow ochre

Mix raw umber and white for the wall and ground. Use cadmium red light for the box. Mix cerulean blue and white for the sky. Add yellow ochre to raw umber for the figure's suit.

techniques

  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the details and losing the simplicity of the original painting.
  • →Failing to create a convincing sense of light and shadow.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Not paying attention to the proportions of the figure and other objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a canvas with a smooth texture to better replicate the original painting's surface. Consider using a medium to thin the oil paints and improve their flow.

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oil painting for beginners →how to learn by studying the masters →
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