apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·At the Beach
At the Beach by William James Glackens

plate no. 9564

At the Beach

William James Glackens, 1910

oilNew Realismgenre paintingbeachbuildingsfigureslandscapehousesvegetation
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve nuanced hues and in capturing light and shadow to create depth and form. It also encourages simplification of details and expressive brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the buildings and figures.

  2. step 02

    Block in the main color areas, starting with the sky and ground.

  3. step 03

    Add the colors for the buildings, using a variety of warm tones.

  4. step 04

    Paint the figures, focusing on capturing their gestures and poses.

  5. step 05

    Develop the details of the vegetation, using short, expressive brushstrokes.

  6. step 06

    Refine the light and shadow, adding highlights and dark accents.

  7. step 07

    Add final details, such as the windows and the texture of the sand.

  8. step 08

    Step back and adjust the overall composition and color balance.

color palette

primary · yellow ochre · cadmium red · ultramarine blue · titanium white

secondary · viridian green · burnt sienna · cadmium yellow

Mix various shades of orange and red by combining cadmium red and yellow ochre. Achieve greens by mixing ultramarine blue and cadmium yellow. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing them.
  • →Failing to capture the light and shadow accurately.
  • →Not simplifying the composition enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a limited palette of colors to simplify the mixing process. Consider using a medium to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Delta Farms

Delta Farms

Wayne Thiebaud

Washington Square Park

Washington Square Park

William James Glackens

House by the Railroad

House by the Railroad

Edward Hopper

The Mansard Roof

The Mansard Roof

Edward Hopper

The artist's wife and son

The artist's wife and son

William James Glackens

Spring Planting, Greenwich Village

Spring Planting, Greenwich Village

John French Sloan

Renganeschi's Saturday Night

Renganeschi's Saturday Night

John French Sloan

Fishing Port, Gloucester

Fishing Port, Gloucester

John French Sloan