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home·artworks·Washington Square Park
Washington Square Park by William James Glackens

plate no. 5476

Washington Square Park

William James Glackens, 1908

oil, canvasImpressionismcityscapecityscapearchbuildingsfiguresstreetpark
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice loose, impressionistic brushstrokes to capture the atmosphere of the scene. Students will also learn to simplify complex scenes and focus on capturing the overall impression rather than precise details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the arch, buildings, and general placement of figures.

  2. step 02

    Block in the sky with a light blue-gray wash.

  3. step 03

    Establish the basic colors of the buildings (red-orange) and the arch (off-white).

  4. step 04

    Add the darker values to define the shadows and forms of the buildings and arch.

  5. step 05

    Paint the figures with simplified shapes and colors, focusing on capturing their movement and interaction.

  6. step 06

    Add details to the street and vehicles, using short, broken brushstrokes.

  7. step 07

    Refine the colors and values throughout the painting, paying attention to the overall harmony.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · viridian green · burnt umber

Mix various shades of red-orange for the buildings by combining cadmium red, yellow ochre, and a touch of burnt umber. Create the off-white for the arch by mixing titanium white with small amounts of yellow ochre and ultramarine blue.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color layering
  • ·impressionistic brushwork

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.
  • →Making the figures too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for the broken brushstrokes to be more visible.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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