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home·artworks·At La Bastille (Portrait of Jeanne Wenz)
At La Bastille (Portrait of Jeanne Wenz) by Henri de Toulouse-Lautrec

plate no. 7651

At La Bastille (Portrait of Jeanne Wenz)

Henri de Toulouse-Lautrec, 1889

oil, canvasPost-Impressionismportraitfigureportraittableglassinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating depth through subtle value changes. It also provides practice in depicting textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, table, and glass.

  2. step 02

    Block in the main areas of color: background, clothing, table, and skin tones.

  3. step 03

    Develop the background with loose, textured brushstrokes, varying greens and browns.

  4. step 04

    Refine the figure's features, paying attention to proportions and subtle value changes.

  5. step 05

    Add details to the clothing, capturing the folds and shadows with darker values.

  6. step 06

    Paint the table and glass, using highlights and shadows to create a sense of form.

  7. step 07

    Add final details and highlights to the face and hands.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · viridian green · cadmium yellow · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt umber. Create the background greens by mixing viridian green with yellow ochre and burnt umber.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·portrait sketching
  • ·value studies

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to capture the correct proportions of the figure.
  • →Using colors that are too saturated and bright.
  • →Ignoring the subtle value changes in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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