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home·artworks·At Grand Lemps (also known as The Park)
At Grand Lemps (also known as The Park) by Pierre Bonnard

plate no. 5132

At Grand Lemps (also known as The Park)

Pierre Bonnard

oilPost-Impressionismlandscapetreesparklandscapefigurepondfoliage
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create atmospheric perspective. It will also improve their ability to simplify complex forms into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: trees, pond, and figure.

  2. step 02

    Block in the main color areas using thin washes.

  3. step 03

    Start with the darkest values and gradually add lighter tones.

  4. step 04

    Use broken brushstrokes to create texture in the foliage.

  5. step 05

    Mix colors directly on the canvas to achieve subtle variations.

  6. step 06

    Pay attention to the light and shadow patterns on the trees.

  7. step 07

    Refine the details of the figure and the pond.

  8. step 08

    Add final highlights and adjust values as needed.

color palette

primary · sap green · yellow ochre · raw umber

secondary · ultramarine blue · cadmium yellow · titanium white

Achieve the greens by mixing yellow ochre and ultramarine blue with varying amounts of white. Use raw umber to darken the greens and create shadows. Mix cadmium yellow with white to create the light on the figure.

techniques

  • ·broken color
  • ·wet-on-dry layering
  • ·scumbling
  • ·color mixing on canvas
  • ·impressionistic brushwork

common pitfalls

  • →Overworking the details
  • →Using too much detail in the background
  • →Creating muddy colors by over-mixing
  • →Ignoring the light and shadow patterns

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#6 round brush
  • ·#4 filbert brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a limited palette to simplify color mixing. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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