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home·artworks·At Gennelle, Absinthe Drinker
At Gennelle, Absinthe Drinker by Henri de Toulouse-Lautrec

plate no. 6647

At Gennelle, Absinthe Drinker

Henri de Toulouse-Lautrec, 1886

oil, ink, canvasPost-Impressionismgenre paintingfiguretableinteriordrinkclothingbackground
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on skin tones and creating texture with visible brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, table, and background.

  2. step 02

    Establish the overall color scheme with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of color: skin tones, clothing, table, and background.

  4. step 04

    Begin building up the skin tones with layers of light and shadow, using warm and cool colors.

  5. step 05

    Add details to the clothing, paying attention to the folds and wrinkles.

  6. step 06

    Refine the background with short, choppy brushstrokes to create texture.

  7. step 07

    Add the details of the table and the glass, paying attention to the light and shadow.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium yellow · alizarin crimson

Mix skin tones using white, burnt umber, and a touch of red and yellow. Create variations in the background by mixing burnt umber with different amounts of white and raw sienna.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·dry brushing
  • ·color layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting the proportions of the figure wrong.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to draw →color theory for painters →how to learn by studying the masters →
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