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home·artworks·At Balcic
At Balcic by George Stefanescu

plate no. 8550

At Balcic

George Stefanescu, 1936

oil, cardboardPost-Impressionismcityscapecityscapebuildingstreesstreetsky
some experience helpful

Recreating this painting will help students develop skills in impasto application and color mixing to create textured surfaces and atmospheric perspective. Students will also practice simplifying complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and street, focusing on composition.

  2. step 02

    Apply a thin wash of burnt sienna or raw umber to tone the canvas.

  3. step 03

    Block in the main color areas for the sky, buildings, trees, and street using simplified color shapes.

  4. step 04

    Build up texture and detail using thick impasto strokes, layering colors to create depth and variation.

  5. step 05

    Focus on capturing the light and shadow patterns on the buildings and street.

  6. step 06

    Add details to the trees, using short, broken strokes to represent leaves.

  7. step 07

    Refine the edges and shapes of the buildings and trees, paying attention to the overall balance of the composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · sap green · cadmium yellow · burnt sienna

secondary · ultramarine blue · cadmium red · violet · raw umber

Mix greens by combining sap green and cadmium yellow. Create various shades of brown by mixing burnt sienna, raw umber, and ultramarine blue. Achieve the off-white tones by mixing titanium white with small amounts of burnt sienna and yellow.

techniques

  • ·impasto
  • ·broken color
  • ·color mixing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the initial strokes.
  • →Using too much detail and losing the overall impressionistic effect.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags

Use high-quality oil paints for best results. A canvas with a medium texture will help to hold the impasto strokes.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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