apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ashtarak in hazy day
Ashtarak in hazy day by Martiros Sarian

plate no. 7316

Ashtarak in hazy day

Martiros Sarian, 1954

oil, canvasPost-Impressionismlandscapemountainsskycloudslandscapevillagetrees
some experience helpful

This painting provides practice in layering colors to create depth and atmosphere, and using simplified shapes to represent complex forms. Students will develop skills in color mixing and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, land, and sky with light pencil lines.

  2. step 02

    Block in the sky with a thin wash of blues and purples, leaving space for the clouds.

  3. step 03

    Establish the mountain range with darker blues and greens, suggesting the snow-capped peaks.

  4. step 04

    Lay in the mid-ground with ochre, yellow, and green, creating a sense of receding space.

  5. step 05

    Define the foreground trees with dark greens and blues, using broken brushstrokes.

  6. step 06

    Add the village details with small strokes of warm colors, suggesting the buildings.

  7. step 07

    Refine the cloud shapes and add highlights to the mountains and trees.

  8. step 08

    Add final touches and adjust values to create a harmonious composition.

color palette

primary · ultramarine blue · yellow ochre · viridian green

secondary · titanium white · burnt sienna · cadmium yellow

Mix blues and greens with white to create the atmospheric haze in the mountains. Use yellow ochre and burnt sienna to create the warm tones of the land.

techniques

  • ·layering
  • ·dry brush
  • ·broken color
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear sense of depth.
  • →Making the foreground too dominant.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushstrokes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov