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home·artworks·Archontariki lavra Mount Athos
Archontariki lavra Mount Athos by Spyros Papaloukas

plate no. 2632

Archontariki lavra Mount Athos

Spyros Papaloukas, 1924

oilPost-Impressionisminteriorinteriortablestill lifebedchairroom
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice loose, expressive brushwork to capture the texture and light. Students will also learn to simplify complex scenes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the table, beds, and other objects.

  2. step 02

    Block in the large areas of color using thin washes. Start with the background walls and then move to the table and beds.

  3. step 03

    Mix the muted color palette by combining primary colors with white and small amounts of complementary colors.

  4. step 04

    Apply thicker paint to the table and foreground objects, using visible brushstrokes to create texture.

  5. step 05

    Add details like the patterns on the tablecloth and the shapes of the objects on the table.

  6. step 06

    Refine the edges and shapes of the objects, paying attention to the way light and shadow define their forms.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · grayish blue · yellow ochre · white

secondary · burnt sienna · rose pink

Achieve the muted tones by mixing primary colors with white and small amounts of their complements. For example, mix blue with a touch of orange to create a grayish-blue.

techniques

  • ·dry brush texture
  • ·color mixing
  • ·blocking in
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the brushwork.
  • →Using colors that are too bright or saturated.
  • →Failing to simplify the complex scene into basic shapes and forms.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grit canvas to allow for texture. Acrylics are more beginner-friendly due to faster drying times.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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