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Arab Priest by Irma Stern

plate no. 1697

Arab Priest

Irma Stern, 1945

oilPost-Impressionismportraitfigureportraitmanbeardturbanclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expression using loose brushstrokes and a limited palette. It also provides practice in understanding and depicting folds and drapery in clothing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the overall composition.

  2. step 02

    Block in the main areas of color using thin washes, paying attention to the light and shadow patterns.

  3. step 03

    Start building up the darker values in the beard, eyes and clothing folds.

  4. step 04

    Add highlights to the turban, face, and clothing to create form and dimension.

  5. step 05

    Refine the facial features, paying attention to the expression in the eyes and mouth.

  6. step 06

    Develop the texture of the clothing and turban using visible brushstrokes.

  7. step 07

    Add final details and adjust values as needed to create a cohesive and expressive portrait.

  8. step 08

    Consider adding a frame to complete the artwork.

color palette

primary · titanium white · raw umber · ivory black

secondary · yellow ochre · burnt sienna

Mix white with raw umber and yellow ochre to create the various skin tones and clothing colors. Use black sparingly to darken shadows and define features.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Getting the proportions wrong in the initial sketch.
  • →Using too much black and making the painting look muddy.
  • →Not capturing the likeness of the subject.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes #2, #6, #8
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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