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home·artworks·Arab Café in Ramallah
Arab Café in Ramallah by Marcel Janco

plate no. 3232

Arab Café in Ramallah

Marcel Janco, 1956

oilOrientalismgenre paintingmarketfiguresbuildingdonkeyawningcityscape
some experience helpful

Recreating this painting helps students develop skills in color mixing, layering, and capturing the essence of a scene with simplified forms. It also encourages expressive brushwork and understanding of atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the buildings and the placement of the figures.

  2. step 02

    Block in the main color areas for the buildings, awnings, and ground, using thin washes.

  3. step 03

    Add the darker values to define the shadows and architectural details.

  4. step 04

    Begin painting the figures, simplifying their forms and using a variety of colors for clothing and skin tones.

  5. step 05

    Layer colors to create depth and texture in the awnings and buildings.

  6. step 06

    Add details like the donkey and other small elements to bring the scene to life.

  7. step 07

    Refine the brushwork, using short, expressive strokes to capture the energy of the market.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a sense of atmosphere.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · cadmium red · sap green · raw umber

Mix various shades of brown and ochre by combining burnt sienna, raw umber, and yellow ochre. Use ultramarine blue and white to create the cooler tones for the sky and shadows. Add small amounts of cadmium red or sap green to create variations in the browns and ochres.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushwork.
  • →Creating muddy colors by overmixing.
  • →Failing to simplify the forms of the figures.
  • →Not establishing a clear focal point.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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