
plate no. 8287
Irma Stern, 1939
This painting provides an opportunity to practice portraiture with expressive brushstrokes and color mixing to capture skin tones and fabric textures. Students can learn to simplify complex forms into basic shapes and use color temperature to create depth.
technical profile
approach — 8 steps
Create a light sketch outlining the basic shapes of the head, turban, and shoulders.
Block in the background with a thin wash of yellow ochre and burnt sienna.
Establish the main skin tones using a mix of burnt umber, alizarin crimson, and yellow ochre.
Paint the turban with white, adding touches of green and yellow to capture the light and shadow.
Define the beard with white, gray, and touches of yellow and green, using short, broken brushstrokes.
Add details to the face, focusing on the eyes, nose, and mouth, using small, precise brushstrokes.
Refine the clothing with white and green, paying attention to the folds and creases.
Add final highlights and shadows to enhance the form and create depth.
color palette
primary · yellow ochre · burnt umber · titanium white · alizarin crimson
secondary · viridian green · ivory black
Skin tones are achieved by mixing burnt umber, alizarin crimson, and yellow ochre with varying amounts of white. Greens are created by mixing yellow ochre and viridian green. Grays are made by mixing ivory black and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.
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