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Arab by Irma Stern

plate no. 8287

Arab

Irma Stern, 1939

oilPost-Impressionismportraitportraitmanturbanbeardclothingface
some experience helpful

This painting provides an opportunity to practice portraiture with expressive brushstrokes and color mixing to capture skin tones and fabric textures. Students can learn to simplify complex forms into basic shapes and use color temperature to create depth.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes of the head, turban, and shoulders.

  2. step 02

    Block in the background with a thin wash of yellow ochre and burnt sienna.

  3. step 03

    Establish the main skin tones using a mix of burnt umber, alizarin crimson, and yellow ochre.

  4. step 04

    Paint the turban with white, adding touches of green and yellow to capture the light and shadow.

  5. step 05

    Define the beard with white, gray, and touches of yellow and green, using short, broken brushstrokes.

  6. step 06

    Add details to the face, focusing on the eyes, nose, and mouth, using small, precise brushstrokes.

  7. step 07

    Refine the clothing with white and green, paying attention to the folds and creases.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · yellow ochre · burnt umber · titanium white · alizarin crimson

secondary · viridian green · ivory black

Skin tones are achieved by mixing burnt umber, alizarin crimson, and yellow ochre with varying amounts of white. Greens are created by mixing yellow ochre and viridian green. Grays are made by mixing ivory black and white.

techniques

  • ·broken color
  • ·impasto
  • ·color temperature
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the forms.
  • →Failing to capture the likeness of the subject.
  • →Not paying attention to the color temperature of the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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