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home·artworks·April. Fresco in Palazzo Schifanoia
April. Fresco in Palazzo Schifanoia by Francesco del Cossa

plate no. 4070

April. Fresco in Palazzo Schifanoia

Francesco del Cossa, 1470

frescoEarly Renaissanceallegorical paintingfiguresarchitecturehorseslandscapeallegorymythology
advanced study

Recreating this painting would help students develop skills in depicting complex scenes with many figures and understanding the use of perspective to create depth. It also encourages the study of color harmony in a Renaissance style.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Divide the canvas into three horizontal sections corresponding to the three main scenes.

  2. step 02

    Lightly sketch the main figures and architectural elements in each section, paying attention to proportions and perspective.

  3. step 03

    Begin painting the background elements, establishing the overall color scheme for each section.

  4. step 04

    Block in the main colors of the figures, focusing on accurate skin tones and drapery.

  5. step 05

    Add details to the figures, including facial features, clothing patterns, and accessories.

  6. step 06

    Refine the architectural details, adding shadows and highlights to create depth.

  7. step 07

    Pay attention to the overall composition and balance, making adjustments as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red ochre · yellow ochre · ivory black · titanium white

secondary · ultramarine blue · raw umber · cadmium red light · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red ochre. Use ultramarine blue and raw umber to create muted greens for the landscape.

techniques

  • ·layering
  • ·glazing
  • ·blending
  • ·hatching
  • ·scumbling

common pitfalls

  • →Getting overwhelmed by the complexity of the scene.
  • →Inaccurate proportions of figures and architectural elements.
  • →Overly bright or saturated colors that clash with the Renaissance aesthetic.
  • →Ignoring the subtle value shifts that create depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·set of acrylic paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use high-quality acrylic paints for best results. Consider using a glazing medium to achieve a smoother, more translucent effect.

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