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home·artworks·Antonio Vera Mahedero
Antonio Vera Mahedero by Alejandro Cabeza

plate no. 0844

Antonio Vera Mahedero

Alejandro Cabeza, 2003

oil, canvasContemporary Realismportraitportraitfigurechairmanclothinginterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and capturing likeness. It also provides practice in depicting fabric and subtle light variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle shifts in color temperature and value.

  4. step 04

    Develop the details of the face, focusing on capturing the likeness and expression.

  5. step 05

    Paint the white shirt, using subtle variations in value and color to create form and depth.

  6. step 06

    Render the chair, paying attention to the highlights and shadows on the gold frame.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Add highlights and shadows to create depth and dimension.

color palette

primary · titanium white · burnt umber · yellow ochre · raw sienna

secondary · ultramarine blue · cadmium red light · ivory black

Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of red. Use ultramarine blue and burnt umber to create the darker background tones. Mix white with a touch of yellow ochre and burnt umber for the white shirt.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or flat skin tones.
  • →Losing the likeness of the subject.
  • →Overworking the details.
  • →Not capturing the subtle light variations on the white shirt.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for this painting.

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oil painting for beginners →how to learn by studying the masters →
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