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home·artworks·Anton Bernhard Fürstenau, German flutist and composer
Anton Bernhard Fürstenau, German flutist and composer by Josef Kriehuber

plate no. 7929

Anton Bernhard Fürstenau, German flutist and composer

Josef Kriehuber, 1830

lithographyBiedermeierportraitportraitfiguremanclothinghairshadows
some experience helpful

Recreating this portrait will help students develop skills in rendering form with value and creating subtle gradations to suggest light and shadow. It's a good exercise in understanding tonal relationships and achieving a likeness.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the darkest areas of the portrait, such as the shadows under the chin and within the clothing folds.

  3. step 03

    Begin layering in mid-tones, gradually building up the value scale.

  4. step 04

    Pay close attention to the subtle shifts in value on the face to create a realistic likeness.

  5. step 05

    Use hatching and cross-hatching techniques to create texture and depth in the clothing and hair.

  6. step 06

    Soften edges where necessary to blend tones and create a smooth transition.

  7. step 07

    Add the lightest highlights to the face and hair to create contrast and dimension.

  8. step 08

    Refine the details of the eyes, nose, and mouth to capture the subject's expression.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Mix varying ratios of black and white to create a full range of grays. Use raw umber or payne's gray to add warmth or coolness to the grays as needed.

techniques

  • ·hatching
  • ·cross-hatching
  • ·value shading
  • ·blending
  • ·rendering form

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of smooth gradations.
  • →Failing to accurately capture the proportions of the face.
  • →Not paying attention to the direction of light and shadow.

materials

surface · smooth drawing paper

required

  • ·graphite pencils (HB, 2B, 4B)
  • ·kneaded eraser
  • ·drawing paper (smooth or slightly textured)
  • ·blending stumps or tortillons
  • ·ruler
  • ·pencil sharpener

optional

  • ·charcoal pencils
  • ·white chalk
  • ·fixative spray

Using a smooth paper will allow for easier blending and smoother gradations of value.

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