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home·artworks·Antibes, Morning
Antibes, Morning by Henri-Edmond Cross

plate no. 5333

Antibes, Morning

Henri-Edmond Cross, 1895

oil, canvasPointillismlandscapetreeswaterlandscapebuildingsmountainssky
some experience helpful

Recreating this painting will help students develop skills in color mixing, applying pointillist techniques, and understanding how small strokes can create a cohesive image. It also encourages observation of light and color variations in nature.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: horizon line, placement of the tree, buildings, and mountains.

  2. step 02

    Establish the main color blocks for the sky, water, and land using thin washes.

  3. step 03

    Begin applying small, individual dots of color to the sky, focusing on variations in blue, white, and yellow.

  4. step 04

    Work on the water, using blues, greens, and purples to create the shimmering effect.

  5. step 05

    Build up the foliage with dots of green, yellow, red, and brown, paying attention to the light and shadow.

  6. step 06

    Add details to the buildings and mountains, using a similar pointillist technique.

  7. step 07

    Refine the colors and values, adding more dots to create depth and texture.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · cadmium red · titanium white

secondary · viridian green · purple · burnt sienna

Mix greens by combining blue and yellow, purples by combining red and blue. Achieve lighter values by adding white to the primary colors. Use small amounts of complementary colors to create muted tones.

techniques

  • ·Pointillism
  • ·Color mixing
  • ·Layering
  • ·Optical mixing
  • ·Broken color

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying dots too uniformly, losing the sense of texture and variation.
  • →Ignoring the underlying structure of the composition.
  • →Not allowing sufficient drying time between layers.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ultramarine blue, yellow ochre, cadmium red, titanium white, viridian green, burnt sienna)
  • ·Round brushes (sizes 0, 2, 4)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Color wheel

Use high-quality oil paints for best results. Experiment with different brush sizes to achieve varying dot sizes.

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oil painting for beginners →how to learn by studying the masters →
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