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home·artworks·Antibes, Afternoon
Antibes, Afternoon by Henri-Edmond Cross

plate no. 0579

Antibes, Afternoon

Henri-Edmond Cross, 1908

oil, canvasPointillismlandscapelandscapetreeswatermountainscityscapesky
some experience helpful

Recreating this painting will help students understand color mixing for pointillism and how to create depth using color and size of dots. It also provides practice in building up an image using small, deliberate brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: horizon line, mountains, city outline, and tree placement.

  2. step 02

    Establish the main color blocks for the sky, water, mountains, and foreground vegetation.

  3. step 03

    Begin applying small dots of color to the sky, using variations of white, blue, and pink.

  4. step 04

    Continue the pointillist technique for the water, using blues, purples, and greens to create depth and texture.

  5. step 05

    Paint the mountains with a mix of purples, blues, and pinks, using smaller dots for distant areas.

  6. step 06

    Develop the foreground vegetation with a variety of greens, yellows, oranges, and reds, varying dot size to suggest depth.

  7. step 07

    Add details to the trees, using darker greens and oranges to define the foliage.

  8. step 08

    Refine the overall composition by adjusting color intensity and dot placement to create a harmonious effect.

color palette

primary · ultramarine blue · cadmium yellow · alizarin crimson

secondary · viridian green · titanium white · yellow ochre

Mix blues and reds for purples in the mountains and water. Combine yellows and blues for various greens in the foliage. Use white to lighten colors and create subtle variations.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·optical mixing
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying dots too uniformly, lacking variation in size and color.
  • →Ignoring the overall composition and focusing too much on individual dots.
  • →Not allowing enough drying time between layers, leading to blending.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·small round brushes (sizes 0-2)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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