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home·artworks·Annunciation, right wing
Annunciation, right wing by Filippo Lippi

plate no. 6007

Annunciation, right wing

Filippo Lippi, 1430

oilEarly Renaissancereligious paintingfigurereligiousarchitecturedraperyhalodove
some experience helpful

Recreating this painting will help students develop skills in rendering drapery folds and achieving a sense of depth through subtle value changes. It also provides practice in painting figures with realistic proportions and expressions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: figure, doorway, and background.

  2. step 02

    Establish the basic color blocks for the background, figure's robe, and clothing.

  3. step 03

    Begin layering the robe with darker blues in the shadows and lighter blues in the highlights.

  4. step 04

    Add the orange/gold trim to the robe, paying attention to the folds and how they affect the pattern.

  5. step 05

    Paint the figure's face and hands, focusing on subtle shading to create form.

  6. step 06

    Add the details of the halo and the dove.

  7. step 07

    Refine the background and doorway, adding texture and subtle color variations.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of blue by adding white for highlights and burnt umber for shadows. The orange/gold trim is achieved by mixing yellow ochre with a touch of red and white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated, resulting in a less realistic appearance.
  • →Ignoring the subtle value changes that create form and depth.
  • →Not paying enough attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·ultramarine blue acrylic paint
  • ·burnt sienna acrylic paint
  • ·titanium white acrylic paint
  • ·yellow ochre acrylic paint
  • ·cadmium red light acrylic paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

A smooth canvas surface is recommended for achieving the subtle blending effects in this painting. Using a retarder medium can help extend the drying time of the acrylics, allowing for more blending.

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