apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Animals Crossing a Flooded River with a Distant Waterfall
Animals Crossing a Flooded River with a Distant Waterfall by Andre Bauchant

plate no. 4222

Animals Crossing a Flooded River with a Distant Waterfall

Andre Bauchant, 1924

oilNaïve Art (Primitivism)landscapetreeswaterfallriveranimalslandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into basic shapes. It also encourages observation of light and shadow in a natural setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, waterfall, and animals.

  2. step 02

    Block in the main color areas: sky, water, trees, and ground.

  3. step 03

    Add darker values to establish shadows and define forms.

  4. step 04

    Layer lighter values to create highlights and add dimension.

  5. step 05

    Refine the details of the trees, foliage, and waterfall.

  6. step 06

    Paint the animals, paying attention to their form and proportion.

  7. step 07

    Add final touches and highlights to enhance the overall effect.

  8. step 08

    Allow to dry and varnish.

color palette

primary · sap green · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · payne's gray

Mix greens by combining sap green, yellow ochre, and raw umber. Create muted grays by mixing titanium white and payne's gray. Use burnt sienna to warm up the browns.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall simplicity.
  • →Using colors that are too saturated and unnatural.
  • →Failing to establish a clear value structure.
  • →Ignoring the atmospheric perspective and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Acrylics are more beginner-friendly due to faster drying times.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden