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home·artworks·Anfiteatro Square in Formia
Anfiteatro Square in Formia by Antonio Sicurezza

plate no. 7437

Anfiteatro Square in Formia

Antonio Sicurezza, 1974

oil, panelPost-Impressionismcityscapearchitecturearchesbuildingfigurecityscapeshadows
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as practice creating depth and perspective through the use of overlapping shapes and tonal values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the arrangement of the arches and the overall perspective.

  2. step 02

    Block in the large areas of color, starting with the sky and the ground, then moving to the buildings and arches.

  3. step 03

    Mix and apply the various shades of white and gray to create the effect of light and shadow on the buildings.

  4. step 04

    Add the darker values to define the shadows and create depth within the arches.

  5. step 05

    Introduce the accent colors, such as the greens of the foliage and the pinks of the laundry, in small amounts.

  6. step 06

    Refine the details of the figure and the surrounding architecture, paying attention to the subtle color variations.

  7. step 07

    Add texture with visible brushstrokes, especially in the foreground and on the buildings.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · cadmium yellow · viridian · alizarin crimson

Mix various shades of white with small amounts of blue, umber, and yellow to create the subtle variations in the buildings. Use viridian and yellow for the greens, and alizarin crimson with white for the pinks.

techniques

  • ·color mixing
  • ·blocking in
  • ·layering
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too much pure white and not enough subtle color variations.
  • →Ignoring the importance of shadows in creating depth and form.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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