apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Andrew Jackson
Andrew Jackson by Edward Hicks

plate no. 2693

Andrew Jackson

Edward Hicks, 1835

oilNaïve Art (Primitivism)portraitportraiteagleflagcloudsfigurepatriotic
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating a balanced composition with multiple elements. It also provides practice in rendering textures like feathers and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the figure, eagle, and flag.

  2. step 02

    Block in the background with a warm yellow-orange wash, creating the radiating light effect.

  3. step 03

    Establish the main values of the portrait, focusing on the light and shadow areas of the face.

  4. step 04

    Paint the eagle, starting with the overall shape and then adding details like feathers and the ribbon.

  5. step 05

    Render the flag, paying attention to the stripes and the folds in the fabric.

  6. step 06

    Add details to the portrait, such as the glasses, hair, and clothing.

  7. step 07

    Refine the background clouds and add any final details.

  8. step 08

    Varnish the painting for protection and to enhance the colors.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · sap green · ivory black

Mix skin tones by blending yellow ochre, burnt umber, and titanium white. Use ultramarine blue and titanium white for the blue ribbon. Create the warm background by mixing yellow ochre and cadmium red.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Not establishing a clear value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on medium)

optional

  • ·easel
  • ·painting varnish
  • ·retarder medium

Use a medium-grain canvas for best results. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden