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home·artworks·And the Prayer of Faith Shall Save the Sick
And the Prayer of Faith Shall Save the Sick by John Frederick Lewis

plate no. 8774

And the Prayer of Faith Shall Save the Sick

John Frederick Lewis, 1872

oilOrientalismgenre paintingfiguresarchitectureinteriorcourtyardtextilesflowers
experienced study

Recreating this painting will help students develop skills in rendering complex figures in varied poses and clothing, as well as understanding and depicting the interplay of light and shadow within an architectural space. It also provides practice in capturing intricate details and patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of light and shadow.

  3. step 03

    Begin refining the figures, paying attention to anatomical accuracy and drapery folds.

  4. step 04

    Develop the architectural details, including the intricate patterns and textures of the walls and arches.

  5. step 05

    Work on the textiles, capturing the richness and complexity of the fabrics.

  6. step 06

    Add the smaller details, such as the flowers, books, and other objects.

  7. step 07

    Refine the lighting and shadows to create depth and dimension.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · viridian green · raw sienna

Achieve the warm earthy tones by mixing burnt umber, yellow ochre, and raw sienna. Use ultramarine blue and white for cooler shades, and cadmium red for vibrant accents.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering drapery
  • ·creating texture with dry brush

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate rendering of the figures' anatomy.
  • →Losing the overall sense of light and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, yellow ochre, ultramarine blue, titanium white, cadmium red, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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