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home·artworks·An oriental in front of the entrance to the Alhambra
An oriental in front of the entrance to the Alhambra by Gustavo Simoni

plate no. 8001

An oriental in front of the entrance to the Alhambra

Gustavo Simoni, 1901

watercolor, paper, cardboardOrientalismportraitfigurearchitectureportraitbuildinginteriorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, architectural rendering, and creating realistic textures with watercolor. It also provides practice in capturing subtle light and shadow variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure and architectural elements.

  2. step 02

    Establish the overall color scheme by laying down thin washes of color for the background and figure.

  3. step 03

    Gradually build up the values and details in the background architecture, paying attention to the intricate patterns.

  4. step 04

    Focus on rendering the figure's skin tones and clothing, using layering techniques to create depth and dimension.

  5. step 05

    Add details to the face, capturing the likeness and expression of the subject.

  6. step 06

    Refine the shadows and highlights to create a sense of volume and form.

  7. step 07

    Add final details, such as the patterns on the walls and the texture of the clothing.

  8. step 08

    Evaluate the overall composition and make any necessary adjustments.

color palette

primary · burnt sienna · raw umber · cadmium red · ivory black

secondary · yellow ochre · ultramarine blue

Mix burnt sienna and raw umber for the warm tones of the architecture. Use cadmium red mixed with a touch of burnt sienna and white for the robe. Add ultramarine blue to burnt sienna to create cooler shadows.

techniques

  • ·watercolor washes
  • ·layering
  • ·dry brushing
  • ·glazing
  • ·lifting

common pitfalls

  • →Overworking the details in the background.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the correct proportions of the figure.
  • →Ignoring the subtle variations in light and shadow.
  • →Not allowing washes to dry completely before layering.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb cold press)
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·masking tape
  • ·kneaded eraser

optional

  • ·palette knife
  • ·gouache
  • ·watercolor pencils
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple layers. Consider using masking tape to create clean edges.

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