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home·artworks·An Open Air Restaurant, Lahore
An Open Air Restaurant, Lahore by Edwin Lord Weeks

plate no. 0579

An Open Air Restaurant, Lahore

Edwin Lord Weeks, 1889

oil, canvasOrientalismgenre paintingarchitecturefigureshorsesmarketfoodcityscape
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd, rendering architectural details, and creating atmospheric perspective with color and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main shapes of the architecture, figures, and horses with thin washes of color.

  3. step 03

    Establish the light source and begin to define the shadows and highlights.

  4. step 04

    Develop the architectural details, paying attention to the intricate patterns and textures.

  5. step 05

    Refine the figures, adding details to their clothing and faces.

  6. step 06

    Work on the ground plane, suggesting the texture of the stones and dirt.

  7. step 07

    Add atmospheric perspective by softening the details and muting the colors in the background.

  8. step 08

    Add final details and highlights to create a sense of realism and depth.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · raw sienna · ivory black

Mix various shades of browns and grays by combining burnt umber, ultramarine blue, and white. Use yellow ochre and white to create the warm tones of the architecture. Add small amounts of cadmium red to create warmer browns.

techniques

  • ·blocking in
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early before establishing the overall composition.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of figures and architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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