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home·artworks·An Indian Summer View of the Farm & Stock of James C. Cornell
An Indian Summer View of the Farm & Stock of James C. Cornell by Edward Hicks

plate no. 4503

An Indian Summer View of the Farm & Stock of James C. Cornell

Edward Hicks, 1848

oilNaïve Art (Primitivism)animal paintingfarmanimalslandscapebuildingstreessky
some experience helpful

This painting provides a good opportunity to practice layering and creating depth through atmospheric perspective. Students can also develop skills in rendering animals and architectural details in a simplified, folk-art style.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements like buildings and the herd of animals.

  2. step 02

    Establish the sky with a light, blended wash of pink and blue.

  3. step 03

    Block in the background hills and fields with muted greens and browns, using lighter values for distant areas.

  4. step 04

    Paint the buildings with simple shapes and colors, paying attention to the perspective of the structures.

  5. step 05

    Begin adding the trees, using thin, delicate lines for the branches.

  6. step 06

    Block in the general shapes and colors of the animals, starting with the larger masses.

  7. step 07

    Add details to the animals, such as markings and facial features, using small brushes.

  8. step 08

    Refine the overall composition with highlights and shadows, and add any final details.

color palette

primary · yellow ochre · burnt umber · titanium white · cerulean blue

secondary · cadmium red · raw sienna · ivory black

Achieve the muted greens by mixing yellow ochre, cerulean blue, and a touch of burnt umber. Create the pinkish sky by diluting cadmium red and titanium white.

techniques

  • ·layering
  • ·atmospheric perspective
  • ·dry brushing
  • ·simplified rendering
  • ·color mixing

common pitfalls

  • →Overcomplicating the details
  • →Not establishing a clear value structure
  • →Ignoring perspective
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·easel
  • ·medium gloss
  • ·retarder

Use a gessoed canvas for best results. Acrylic paints are recommended for beginners due to their faster drying time.

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