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home·artworks·An Autumn Day at Bassin De Flore in the Garden at Versailles
An Autumn Day at Bassin De Flore in the Garden at Versailles by Lili Elbe

plate no. 5977

An Autumn Day at Bassin De Flore in the Garden at Versailles

Lili Elbe, 1917

oilPost-Impressionismlandscapestatuefountainwatertreesswansleaves
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and creating depth through atmospheric perspective. It also provides practice in rendering complex shapes and textures, such as the statue and foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the fountain, the statues, the swans, and the background trees.

  2. step 02

    Establish the background with a thin wash of colors, focusing on the atmospheric perspective and the receding trees.

  3. step 03

    Block in the main colors of the fountain and statues, paying attention to the light and shadow.

  4. step 04

    Start building up the details of the fountain, adding texture and definition to the stone and foliage.

  5. step 05

    Paint the swans, focusing on their white plumage and reflections in the water.

  6. step 06

    Add the fallen leaves on the water surface, varying their colors and sizes.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious composition.

color palette

primary · yellow ochre · burnt umber · titanium white · Prussian blue

secondary · cadmium yellow · raw sienna · ivory black · alizarin crimson

Mix various shades of brown and green by combining yellow ochre, burnt umber, Prussian blue, and titanium white. Achieve the off-white color of the swans by mixing titanium white with a touch of yellow ochre and burnt umber.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Inaccurately depicting the reflections in the water.
  • →Making the statue appear too flat and lacking dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette knife
  • ·palette
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·odorless mineral spirits (for cleaning brushes)

Use a canvas with a medium texture to allow for better paint adhesion and brushwork.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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